Suicide & Blondie - Call Me Cheree (Morodertron)

You Make My House Shine

Gee Mr. Tracy was a strange duo from Norwich, UK who had their very own idea of pop-music in the mid of the 1980s.
By 1985, the classic synth/vocal duo was on its way out. Soft Cell, D.A.F., Suicide, Sparks, OMD, had either disbanded, were on indefinite hiatus or were at low-points if their career.
Shortly before the Pet Shop Boys would seal this band model into a lasting time-capsule, Brick Smith and Vince Rogers took no prisoners with their minimal, electro-pop-punk.

At times Gee Mr. Tracy sounded like a parody of Suicide, with their monotonous, skeletal and very cheap sound. "Jet Girl" on their debut (and only) album was like a total piss-take on the Vega/Rev-sound and it could be seen as the missing link between Suicide and Sigue Sigue Sputnik (without the futuristic gadgets, the hi-tech production, the make-up and the hype).
The vocals were often shouted and apparently both band members liked to drink and singing about it.


In their short career as Gee Mr. Tracy (name refers to the "Tracy"-family of "The Thunderbirds") they actually wrote two fine pop-gems: "Permanent Swoon" and "Gee Mr. Tracy - You Make My House Shine", which I always wanted to hear in an updated house-remix.
What´s not to like in a song that has lines such as: "The doorbell plays Miles Davis, The biscuit tins are never empty, the milkman leaves us vodka (we drink it!)" and that starts with a dog barking in Japanese?!

Suicide! Horror! Shadazz!

Much confusion about Alan Vega´s alleged 70th birthday last year. Many sources claim that he was born in 1948, but since the release of a series of 10" singles celebrating 70 years of Alan Vega this question seems to be finally answered. Or is it?

I now managed to get my hand on the "The Horrors/Suicide" EP which features an amazing cover of Suicide´s "Shadazz" by Garage Rock band The Horrors.


Quite contrary to their usual sound they manage to perform the futuristic rockabilly rhumba original as if Suicide could sound today. The beat is full of clanging, cheap echo effects that turn the steady beat into a quite intricate polyrhythmic groove. The typical, minimal bass is also present, but it occasionally morphs into a sub-bass growl that nods to Jungle and Dubstep. There is even a half-speed, live drum break all the while lonely guitar chords are wailing away in the background. On top of all this we have the vocalist who sounds exactly like Vega. On first thought I actually thought it was a clever remix.
Click the arrow to listen to one of my favourite songs at the moment: The Horrors - Shadazz

The EP also contains another, very fine cover of "Rocket USA" by Nic Void and a re-mastered live recording of "Radiation" from 1984.

Here is the original for you to compare: Suicide - Shadazz.


Suicide´s second album from 1980, which contains "Shadazz", always stood in the shadow of their monumental debut. It was often called a sell-out because of it´s attempt at being a proper pop-album. Well, after they had atomised rock´n roll with "Rocket USA", "Ghostrider" and "Frankie Teardrop" they emerged from the fall-out with "Cheree", a song that paved the way to the future by looking back. In this regard, the second album was a logical progression from the first. "Diamonds, Fur coat, Champagne" and "Fast Money Music" are actually more influential and visionary than anything from their debut.

Go here for a dose of Diamonds, Fur coat, Champagne

Diamonds! Fur Coat! Champagne!

"Diamonds, fur coat, champagne": Hear them crackle, sparkle and shine